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Organized Chaos

Organized Chaos: An Introduction to How I Work

My art, like my life, is a balance between organization and chaos.  

Initially, I struggled with perfectionism and that got in the way at my early attempts to make art.  I started playing around with mono printing on a gelatin plate as a way to loosen up.  After a typical mono printing session, I would end up with a large stack of junk but a small stack of really interesting prints that were a total surprise.  I got hooked on those surprises but I wasn’t really sure what I was going to do with the pretty papers.  

In the meantime, I was also teaching myself to create patterns using graphic design software.  I loved the control of creating repeatable shapes and scaling, rotating and duplicating them.  But, in the end, I thought the final results were stiff, flat and uninteresting.  Then, one day I realized I could combine the two methods and fill the digital shapes with scanned images of the chaotic artwork – and, thus, my style was born. 

So, this is what I do:  I have printing days in the studio (sometimes with a friend).  At the end of the day, I look for the papers that have that joyful expression of color and texture that I crave.  I set those aside for another day when I work on the computer to turn those prints into endlessly repeating patterns.  (That is a big, non-trivial task, the details are tedious.  One of these days, I will publish a comprehensive how-to.)  Other days, I sketch critters and plants.  I’ve loosened up over the years – I know it’s not the final product so I just sketch.  I use these sketches (or sometimes photographs) as references to create digital drawings that are comprised of different shapes.   Finally, I fill each shape with the digital patterns I created from the paper prints.  Working digitally, I can rotate and scale the pattern within the shape so that it looks like it was just meant to be.

I know – that’s a lot of steps.  Each step has a purpose in combining simple, controlled shapes with rough sketches and unpredictable prints to create art that is my organized chaos.  For me, though, the final designs are really just the middle of the journey resulting in some pretty stuff that lives in my computer.  In order to share it with the world, I need to build it into something.  This is where my love of textiles comes into play.  I upload the designs to a textile printing partner where I can choose to print the designs on about 20 kinds of fabric (and wallpaper!), then sew the fabric into final products.  I also print the designs on archival paper for wall art and cards.

 

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Adventures in Self-Publishing

Covid Life: In Which Tammy Writes Some Books

It all started when my sister wanted to create a book to help her developmentally disabled clients understand the Covid-world.  I provided the illustrations then agreed to tackle learning how to self-publish.  It was a steep learning curve that resulted in a cute little book!  Also, I ended up with some confidence to tackle a couple other projects that have been sitting on my mind for some time.

My first solo project is a collector’s book that provides an illustrated tour of New Mexico alphabetically – “A is for Albuquerque”, “Z is for Zia” and everything in between.  This one was a lot of fun and I really like the way it turned out. 

Next, I wanted to do a more affordable children’s book.  Since some of my favorite artwork features farm critters, so I settled on illustrating a version of “Old MacDonald”.

The most significant thing I learned about self-publishing is that, like printing fabric, it isn’t cheap.  For about a minute, I considered tooling up and learning how to bind my own books.  Handmade, right!  I quickly realized that paper and ink alone would cost me about $2 per page.  That doesn’t leave any room for the bandaids (lots of cutting with a sharp blade), aspirin (lots of delicate glueing) and materials that I would need for the DIY binding.  So,  my current plan is to try to get a couple more books done then approach an actual publisher with the collection.  Fingers crossed!

All three of these books are available for purchase on our website along with my 2021 Calendar.  (In our Shop under Stationary.)   

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My Dream Car

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My Favorite Car

My first car was an old Ford Galaxy that I bought from a friend of my brother’s. After I paid cash, my brother and his friend pleaded to take it out for ‘one more ride’. It came back much more broken and dirty than before. It was a ridiculously huge car. Not only did I have to sit on a pillow to see past the hood, it was a gas guzzling, high maintenance nightmare. On the day of its final breakdown, I pulled it into a median, called my mom to pick me up and then told my parents, “Just leave it there, I never want to see it again.” I have no idea what became of it, but it started me on a lifelong dislike of cars.

At one point in my adult life, I did have a car that I truly loved: a new Volkswagen Beetle, white, with a black leather bra embroidered with flowers. It was cute and comfortable. Then, one day it was creamed by a lady in a giant SUV who had decided to run a red light despite the fact that I was already stopped in front of her. Albuquerque really does have the WORST drivers. That car did what she was supposed to do to protect me but she couldn’t be repaired. I actually cried – and vowed I would never love another car again as long as I drove around these parts.

Old Farm Truck

I do admire the restored old farm trucks or vintage vehicles – especially those with a vibrant paint job. But, I don’t have the patience for that kind of hobby. So, these days when people start talking about their dream rides, my response is usually, “Meh. I just want a car that starts when I say ‘start’ and stops when I say ‘stop’.Fancy cars mean nothing to me.

And then .. I see the cute tractor puttering down Rio Grande Boulevard and I think, “Yeah, that’s what I’d like to be driving!” Probably a green one.

Product Gallery

As with all of my “character prints”, my vehicle art is generally available in wall art, cards, pillows, tote bag (pockets) and 7″x7″ quilting squares.

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Textile Studio Tour

Textile Design in the Collected Hands Art Studio

My Workspace


Textile Studio Main View

My art studio is located in Corrales, New Mexico, USA.  This is where I sketch, paint, dye, cut, glue, print and daydream.  I have tons of natural light, built-in shelves for storage of supplies and an easy-to-clean floor.  It’s hardly ever this clean and often shared with dogs, cats, a house pig and grandkids.  Beyond the art studio, I have a small sewing space.  But, these days most of the sewing is done in a workroom at the back of our retail store.  That helps me stay efficient when I am minding the shop.  The shop is also a cat-free zone which turns out to be super important when I’m sewing.

The Sewing Room

 

 

 

 

 

Studio in use with a guest artist.

My Process

My textile designs starts with sketches and doodles as well as colorful mixed media artwork such as mono prints created with a gelatin plate, stamps and stencils.  I tend to find my inspiration in the natural environment of the New Mexico high desert and the vibrant New Mexico culture.  I digitize my sketches using Inkscape and use the art prints to fill in the simple, whimsical shapes.  A lot more work in Inkscape and Gimp to clean things up, then I organize the designs into collections and send my favorite designs off to Spoonflower for printing on fabric.

sketches of Corrales wildlife
Corrales Motif original sketches
Working on a digital design

Some days I make art and some days I make tools such as screens, stamps and stencils.  And, sometimes my workbench is a mess of fabric scraps, wood pieces, paper and glue because I’m thinking up new product ideas.  I do struggle to find the balance between productivity and creativity, I find lots of coffee helps.

From sketches to stamps

It feels like Christmas when the Spoonflower packages come with my new designs.  I like to lay them all out on the workbench and just take a minute to soak it all in.  Then, I start planning production activities for my next day at the shop.

Finished products in the shop.